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Spring Color Preview 2013: A Blissful Balance
By: Sara Mason
Posted: February 28, 2013, from the March 2013 issue of Skin Inc. magazine.
Makeup and hair, Jo Candelaria; photographer, George Favios; and model, Sophie Warner of Vivian's Sydney
page 3 of 8
“A very nude lip is on trend,” agrees Katz. “The caveat is if she can’t pull off a nude lip, don’t do it.” Katz recommends a Nectarine lip gloss over a darker lipstick your client already has been wearing. “Nectarine and Poppy Red for lips is super fresh—very cherubic,” adds Wood.
A bright cherry red lip also can be on trend, if the rest of the face is neutral. To update the look, blot down a bright red and put a pinkish gloss over it or mix a coral color with a more brown lipstick, to wear as a stain. “There are ways to transition from fall without having to give up tried-and-true favorites,” says Katz.
Bright pops of color give an otherworldly look, which was popular on the runways for spring. The colors for eyes are not as vivid as years’ past, but are softly muted, dustier tones that are saturated but not intense. For color blocking, Bennett suggests first applying a stronger color only to the lid. Blend it to the crease. Then, apply any contouring, as well as liner and mascara. The color will be diffused a bit into more of an accent. The other option is to use a black gel eye liner to exaggerate a thick line, then blend it really quickly before it dries. “Layering a strong color on top will diffuse the color, giving the freshness of color blocking without it being super saturated or vibrant,” says Bennett.
For those who are “color phobic,” this makes it more sophisticated and wearable. “Use smartly bright—not neon—colors,” suggests Bennett. The look also works easier with pearlized or shimmering colors over the base to catch light and add dimension. “Matte colors look hard, which is dramatic but can appear cartoony,” he continues.
Light and bright can also be balanced through the use of mineral pigments. “If the color is too intense, consumers cannot control the product,” explains Shawn Towne, global educator for jane iredale. “By using luminosity, you can sheer a color without taking away its intensity.”
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